Ghalia & Mama's Boys

Ghalia & Mama's Boys

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Ghalia & Mama's Boys - Let The Demons Out

Product no.: RUF 1250


Ghalia & Mama's Boys


If you’ve not yet met Ghalia Vauthier, prepare to fall hard for an artist on the cusp of big things. Rewind to 2013 and Ghalia’s rise began with an apprenticeship busking on the streets of her native Brussels and double-duty in her two early bands, The Naphtalines and Voodoo Casino. “I always thought busking is the best schooling one could have,” she says. “You have only one second to catch people. It’s like a challenge – and I love challenges!”

Ghalia soon set herself the biggest one of all: America. With her passion for rocket-fuelled R&B drawing her to the motherland, the singer trekked the US cultural nerve-centres – from Chicago and Memphis to Nashville and Mississippi – winning fans and raising roofs at every stop. “The first time I went to the USA was like a musical pilgrimage to discover the places all my favourite songs talked about. The second time, things became real. I started singing where my heroes sang. I was strolling where they used to walk, buying booze maybe at their favourite liquor store, driving the same highways, watching sunsets in the same cotton fields. Then, from sitting in with local artists, I began to get my own shows.”

            Every state heralded a new adventure, but perhaps most pivotal was Louisiana, where the seeds of Let The Demons Out were sown as Ghalia fell in with local legends Johnny Mastro & Mama’s Boys. The chemistry between these fast friends was undeniable, and it spilled over into New Orleans’ Music Shed Studio, as Ghalia drafted the lineup as her studio band. “The goal was to mix their attitude and experience with my songs and vocals,” she explains, “creating a symbiosis and letting the musical chemistry blossom.”

           Working on impulse and trusting in their talent, this makeshift collective tore a page from the playbook of the blues originators, cutting live in the same room. “We think that this organic recording style brings more spontaneity and integrity to the music,” considers Ghalia. “Plus, it’s more fun and way more challenging.”